dsh-skin-crt

Phosphor CRT — a DSH skin

English | 中文

Turns the DeepSeek Harness web GUI into an old phosphor tube: green monospace text on smoked glass, a dot-matrix typeface that covers Chinese as well as Latin, the city outside rendered as P1 phosphor, and the two netrunner portraits still pinned to the input card's left and right edges.

What it looks like

Light theme — the same tube, lit a little harder:

Dark theme — deep glass, brighter phosphor:

Both are 1440x900 JPEG q85 rendered through the market's own facade renderer, the same static renderer the Workshop gallery uses.

Install

git clone https://github.com/lemonhall/dsh-skin-crt
Copy-Item -Recurse dsh-skin-crt\skins\crt-phosphor "$env:USERPROFILE\.dsh\skins\"

Then Settings -> Skin Center and pick 磷光 CRT. The Skin Center rescans $DSH_HOME/skins while the card is open, so no reload and no restart are needed when you switch inside the GUI.

What actually makes it a CRT

Four levers, in the order they matter:

1. The scene is the lit phosphor. tools/build_crt_assets.py takes a character-free night city, maps its luminance through a three-stop P1 phosphor ramp, screen-blends a blurred highlight copy back in for halation, then bakes scanlines, a vignette and a touch of grain. Baking beats drawing: CSS scanlines at a 3px period beat against the device pixel ratio and read as a few thick bands sweeping the screen (see docs/CRT-TECHNIQUE.md).
2. One token layer recolours and retypes the whole shell. skin.css remaps the official --dsw-* tokens: phosphor greens for every label and border, near-black green glass for every surface, and all 31 --dsw-font-*-font-family tokens pointed at the bundled dot-matrix face.
3. Three free-selector layers draw the tube. patches.css adds the vignette and a slow breathing luminance on #root::before, a faint bloom and a rare shallow flicker on #root::after, and phosphor bloom plus a whisker of chromatic fringe on the text.
4. The portraits ride the input card. body::before / body::after anchor to [data-composer-card] (left: anchor(--crt-composer left) plus translate: -100% 0 for the left one), so both follow the sidebar and the details pane without measuring anything. They paint at z-index: 900: above every shell surface, below the whale widget's 9999.

The Chinese problem, and the font choice

The classic DOS look comes from bitmap fonts such as IBM VGA 8x16 (the Ultimate Oldschool PC Font Pack). Those cover CP437 only — Latin and box drawing. Point the whole GUI at one and every Chinese glyph falls through to a modern fallback face, which breaks the illusion exactly where it matters here, because this GUI is mostly Chinese.

The DOS-era answer for Chinese was a 16x16 dot-matrix font (HZK16 and friends), a raw bitmap dump with no webfont form. The practical modern equivalent is Fusion Pixel 12px monospaced (TakWolf/fusion-pixel-font, OFL-1.1), which puts Latin and Simplified Chinese on one pixel grid. Its licence text travels with the skin in assets/FUSION-PIXEL-OFL.txt.

Two facts worth knowing about shipping a font inside a skin:

• @font-face passes the skin-center CSS safety pipeline as long as the URL is local and relative (url("assets/…woff2")); remote and protocol URLs are rejected. @keyframes already proved at-rules without selectors survive.
• The face is 903 KB of the skin's ~1.3 MB. Subsetting to the common hanzi would cut it roughly in half; the full set keeps rare characters correct.

Repository layout

skins/crt-phosphor/          the skin itself — the directory that gets installed
  skin.json                  manifest v2 (+ the phosphor scene as backgroundMedia)
  skin.css                   L1 tokens: palette, all 31 font-family tokens, @font-face
  patches.css                L3: tube layers, phosphor bloom, the two portraits
  assets/                    scenes, portraits, the font and its OFL licence
  preview/                   light.jpg + dark.jpg, 1440x900 JPEG q85
  README.md / README.zh.md   the skin's own bilingual readme
docs/CRT-TECHNIQUE.md        layer plan, the moire lesson, pipeline facts
tools/build_crt_assets.py    luminance -> P1 ramp, halation, baked scanlines
tools/wire_pixel_font.py     fetch-free wiring of the bundled face into skin.css
tools/inject_skin_into_facade.py  inject any skin into the market facade renderer
tools/capture_facade.cjs     render the 1440x900 previews with Playwright
_vendor/                     downloaded upstream archives (not committed)

Two variants in this repository

skins/crt-phosphor/ in this repository carries the optional interactive hooks.mjs: click either girl and she answers with a random line (the bubble is DOM, so it sits above her head at any text length). The Workshop submission ships the same skin without hooks, because the skin contract reserves facets.client for built-in skins and explicitly keeps it out of out-of-repo extensions.

Locally, hooks need dsh-market.provenance.json in the installed directory; see tools/make-local-provenance.mjs and docs/CRT-TECHNIQUE.md (Lesson 6) for what that file does and does not mean.

Verification

Known trade-offs

• The face is designed on a 12px grid; at the shell's odd sizes (11, 13, 14, 16) Chromium interpolates a little, so a few labels are softer than a native bitmap cell would be. Forcing every size token onto the 12px grid is possible and makes it razor sharp, at the cost of departing from the shell's type scale.
• patches.css matches a handful of CSS-module hash class names (*_frame, *_sidebarCol); dsh-skin validate warns about them because an official rebuild could rename them.
• With the details pane open, the right portrait stands over the pane. That is deliberate: the alternative is hiding her.
• The portraits are the same matted artwork the Lucy skin uses, so this skin inherits that character; --crt-portrait-filter switches her between natural colour and a full phosphor-ghost duotone in one line.

Licence and attribution

CC BY-NC-SA 4.0 — attribution required, non-commercial, share-alike. The bundled typeface is OFL-1.1 and keeps its own licence. The depicted character and setting belong to their rights holders; this is unofficial fan artwork, unaffiliated with CD Projekt Red or Studio Trigger. See NOTICE and LICENSE.